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Complex subjects like the one in “The Sound and the Fury” cannot find their full expression in simple narration. They need illustration and that can be made only through symbolism. The theme of “The Sound and the Fury”, the decadence of Compson family is largely clarified through symbolization of its central characters and their actions.
The tragedy of Willy Loman, says Arthur Miller, is: “Willy gave his life, or sold it, in order to justify the waste of it…” Willy represents Every low-man in America. Hence, it is a tragedy of every American. The play is really a challenge to the American Dream because it is the tragedy of a
Undoubtedly Sheridan’s purpose in writing The Rivals was to entertain the audience by making them laugh and not by making them shed tears. The Rivals was written as a comedy pure and simple. Though there are certainly a few sentimental scenes in this play yet they are regarded as a parody of sentimentality. The scenes
Among the most influential concepts in literary criticism is Samuel Taylor Coleridge’s idea of the “willing suspension of disbelief”, first articulated in his Biographia Literaria (1817). As one of the central figures of English Romanticism, Coleridge believed that poetry had the power to evoke truth not by mimicking reality but by stirring the imagination. His
Romanticism primarily was a revolt against the artificial, pseudo-classical poetry in 18th Century. Wordsworth was the founder of this movement. Romantic poets can be divided into two groups – Old Romantics and Young Romantics. In old Romantics there are Wordsworth, Coleridge and Scott. Wordsworth, Coleridge and Scott belong to Early Romantics, whereas Keats, Shelley, and
The biographer Lytton Strachey belonged to the Bloomsbury Group. He inaugurated the new era of biographical writing at the close of World War I. In his preface, Strachey enunciated the two fold principle of selection and scrutiny which was to mark all his work.
Symbolism is a technique, employed by a large number of playwrights, in which an object or a metaphor is described having meaning and implications beyond its apparent meaning.
According to Aristotle- An epic is the tragedy of a conspicuous man, who is involved in adventures events and meets a tragic fall on account of some error of judgment i.e. Hamartia which throws him from prosperity into adversity; his death is not essential.
Arthur Miller’s “Death of a salesman” is not a tragedy according to the conventional concept of tragedy in which the hero and fate come into conflict and fate causes the tragedy of the hero or the central protagonist.
Dreams are the backbone of Chaucer‘s “Nun’s Priest’s Tale”. The story begins with a dream and ends up in a dream. Dreams were also present in the source fable but there the focus of attention was the fate of Chanticleer, whereas the dream had a secondary role to play. While, in “Nun’s Priest’s Tale” the
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Humour is an essential ingredient of Geoffrey Chaucer‘s poetry and the back-bone of “The Prologue and The Canterbury Tales”. All the characters in The Prologue have been humorously described. Humour, infact, makes Chaucer’s characterization distinct. A humorist is one who is quick to perceive the funny side of the things and who has the capacity
Tragi-comedy is a kind of writing in which comedy is hovering on the brinks of tragedy. O’Casey’s “Juno and the Paycock” is a tragi-comedy although, on the whole, it is a serious and somber play having much destruction and violence. But there are a number of comic elements in the play which would not fit
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