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Chaucer: “Nun’s Priest’s Tale” – Philosophy of Dreams

Dreams are the backbone of Chaucer‘s “Nun’s Priest’s Tale”. The story begins with a dream and ends up in a dream. Dreams were also present in the source fable but there the focus of attention was the fate of Chanticleer, whereas the dream had a secondary role to play. While, in “Nun’s Priest’s Tale” the

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Geoffrey Chaucer

Chaucer as a Humorist

Humour is an essential ingredient of Geoffrey Chaucer‘s poetry and the back-bone of “The Prologue and The Canterbury Tales”. All the characters in The Prologue have been humorously described. Humour, infact, makes Chaucer’s characterization distinct. A humorist is one who is quick to perceive the funny side of the things and who has the capacity

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Juno and the Paycock: Tragi-comedy Juno and the Paycock: Tragi-comedy

Tragi-comedy is a kind of writing in which comedy is hovering on the brinks of tragedy. O’Casey’s “Juno and the Paycock” is a tragi-comedy although, on the whole, it is a serious and somber play having much destruction and violence. But there are a number of comic elements in the play which would not fit

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Paradise Lost: A Classical Epic

Homer and Virgil were the two great masters of the Classical epic. Homer’s Iliad and Virgil’s Aeneid have invariably served as models for all writers of the classical epic. Milton was a great classical scholar and he sought to write an epic. He dreamt of immortality and he aspired to be one with Homer and

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Aristotle’s plot

Aristotle devotes great attention to the nature, structure and basic elements of the ideal tragic plot. Tragedy is the depiction of action consisting of incidents and events. Plot is the arrangement of these incident and events. It contains the kernel of the action. Aristotle says that plot is the first principle, the soul of tragedy.

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